The figure, whose gender is not clearly defined (the absence of breasts and the low-detailed shapes would rather suggest a male body), is seated on a cubic stool without any carved details. The torso of the figure is straight, the back is smooth and without details; the legs are simple rods in light relief. The arms of the figure are folded and the triangular hands are brought back to the chest.
Like almost all Syrian terracotta statuettes dated to this period, this figurine was hand-modeled in a very stylized, almost instinctive manner; it is seated on a simplified stool.
The bowl is perfectly turned. The ceramic is beige, but the surface is entirely covered with colored paint. The element that makes this piece a very special, perhaps unique object, is certainly the statuette of the quadruped.
To the eyes of the modern viewer, this large glazed ceramic bowl is outstanding for its aesthetic qualities resulting from the formal simplicity and the turquoise color.
This hemispherical vessel is provided, near the lip, with a horizontal, perfectly cylindrical spout. It is simply decorated with a frieze of zigzag pattern in relief. Despite its reduced size, this vessel is outstanding for its technical precision: all the details of the shape and decoration were carefully executed.
This seal was carved from a whitish limestone with darker undulated veins that give the impression of an artificial decoration, although it is perfectly natural. The object is pierced by a hole in its rounded part and would have therefore been worn on a string round the neck or wrist (necklace or bracelet).