The lamp was shaped simply by folding up the rim of a circular plate – which had previously been turned on a potter’s wheel (the traces of the turning are clearly visible, especially on the rim) – at four evenly spaced points: viewed from above, the lamp thus displays an attractive design reminiscent of a four-petalled flower. The wide, round base provides the lamp with optimum stability, meaning it is unlikely to be knocked over.
This Statuette of a Human-Headed Bull represents a very popular mythological hybrid figure that was largely widespread in Near Eastern iconography (especially in glyptics) from the Sumerian period, that is the bull with a bearded human head, wearing a headgear (tiara) adorned with a single pair of horns.
The figure, whose gender is not clearly defined (the absence of breasts and the low-detailed shapes would rather suggest a male body), is seated on a cubic stool without any carved details. The torso of the figure is straight, the back is smooth and without details; the legs are simple rods in light relief. The arms of the figure are folded and the triangular hands are brought back to the chest.
Like almost all Syrian terracotta statuettes dated to this period, this figurine was hand-modeled in a very stylized, almost instinctive manner; it is seated on a simplified stool.
This hemispherical vessel is provided, near the lip, with a horizontal, perfectly cylindrical spout. It is simply decorated with a frieze of zigzag pattern in relief. Despite its reduced size, this vessel is outstanding for its technical precision: all the details of the shape and decoration were carefully executed.
This circular seal, slightly larger than the average size, shows a perfectly symmetrical internal decoration composed of circles arranged around a central cross.
This object, whose shape recalls a chalice, was carved from a monolith of calcite (alabaster) that is similar in color and appearance to the stone commonly used by Egyptian sculptors for luxury tableware in the late 4th millennium B.C. already.