Seated Terracotta Statuette
Like almost all Syrian terracotta statuettes dated to this period, this figurine was hand-modeled in a very stylized, almost instinctive manner; it is seated on a simplified stool.
Near Eastern Bowl with the Figurine of a Bull
The bowl is perfectly turned. The ceramic is beige, but the surface is entirely covered with colored paint. The element that makes this piece a very special, perhaps unique object, is certainly the statuette of the quadruped.
Greek Terracotta Statuette of a Standing Actor
The statuette depicts a standing man, with a mask, which characterizes him as an actor. He is dressed in a large cloak. As it is usually the case at that time for terracotta examples, our figurine was molded in two parts, the front and the back.
Grotesque Terracotta Head (perhaps a Mime or an Actor)
The statuettes of “grotesques” often represented mimes, street actors, music players, dancers, or even street vendors or workers suffering from physical deformities or afflictions that the sculptors treated in an exaggerated manner, to create a caricature-like effect. At the end of the Hellenistic period, in the large urban centers such as Rome and Alexandria, the theatrical genre of pantomime (according to tradition, this genre was created by Sophron of Syracuse in the 5th century B.C. already) was very popular.
Grotesque Mask (Mime or Aulos Player)
This face certainly represents a male figure; it shows some of the distinctive features of the Greek-Roman images known as “grotesque”, such as the big aquiline and pointed nose, the strongly marked, frowning eyebrows and the wrinkled forehead.
Group representing a Grotesque Nurse and her Baby
This statue was cast into a rosy beige clay covered with a white slip. The old woman, is seated on a stool; her face is covered with a grotesque mask and her gaze directed toward the baby she holds in her naked arms.
Western Asian Long-Spouted Jug
A large dark brown-black terracotta vessel, certainly fired in a reducing atmosphere. It is equipped with a small handle and with a long gutter-shaped spout.
Small Mycenaean Pear-Shaped Jar
Skillfully wheel-made vessel provided with three handles that were modeled separately and applied to the shoulder before the firing process.
This vessel with a sinuous profile and a circular, narrow base is very characteristic of Mycenaean culture: it is the reduced version of the large jars that can often be found in tombs and that would have served for the storage of the products used during funerary rituals.
Sumerian Miniature Jar
This small jar, with a decorative ridge in relief that extends the neck and modifies its proportions, is more elaborate in shape than most other contemporary stone vessels. The perfectly globular body stands on its own despite the absence of base. The lip is flat.
Hemispherical Stone Seal
Carved from a small yellowish beige pebble irregularly speckled with red, this seal is a small cylinder with a smooth and well-polished surface.
Near Eastern Conical Stone Bowl
Carved from a block of pink limestone, this large bowl with a rounded profile has a slightly asymmetrical shape and an irregular edge, nevertheless highlighted by a band with a thicker relief.
Roman Marble Relief representing the “Thracian Horseman”
Roman Marble Relief representing the “Thracian Horseman”. The detailed image shows a horse mounted by a young hunter who hits a boar with his spear.
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