Although conveying a certain charm, typical of traditional folk art rather than formal representations, this statuette shows highly stylized and naive shapes which do not totally lighten the strength of the rectangular block of stone.
Like almost all Syrian terracotta statuettes dated to this period, this figurine was hand-modeled in a very stylized, almost instinctive manner; it is seated on a simplified stool.
The bowl is perfectly turned. The ceramic is beige, but the surface is entirely covered with colored paint. The element that makes this piece a very special, perhaps unique object, is certainly the statuette of the quadruped.
To the eyes of the modern viewer, this large glazed ceramic bowl is outstanding for its aesthetic qualities resulting from the formal simplicity and the turquoise color.
This seal was carved from a whitish limestone with darker undulated veins that give the impression of an artificial decoration, although it is perfectly natural.