Guttus with Spout and Strainer
A small drinking vessel known as a ‘guttus’. It is a small container designed to fill other vessels, such as oil lamps, via its spout located on the body (which is slender and tapered on the vase in question). As its name suggests, the liquid flowed from it only in small quantities or drop by drop.The shape, size and technique thus allow us to date the production of this vase to Magna Graecia, during the first half of the 4th century BC.
Terracotta Canaanite lamp
The lamp was shaped simply by folding up the rim of a circular plate – which had previously been turned on a potter’s wheel (the traces of the turning are clearly visible, especially on the rim) – at four evenly spaced points: viewed from above, the lamp thus displays an attractive design reminiscent of a four-petalled flower. The wide, round base provides the lamp with optimum stability, meaning it is unlikely to be knocked over.
Cup with a pastoral scene
This cup is impressive, particularly because of the thickness of its walls and its weight. The vessel, made of copper cast in a mould, has no handles: its profile is truncated conical and very linear. It rests on a small, solid triangular foot.
The decoration, in very shallow relief, covers the entire available surface. Three bulls, recognisable by the shape of their horns, stand facing to the right of the viewer.
Polychrom Askos with two necks
A small but charming example of an ‘askos’ form, one of the most significant in Daunian pottery from the early Hellenistic period. Here, the usual wide neck is complemented by a second, symmetrical spout, fitted with a strainer and positioned at the rear of the body.
Pyxis with its lid
This piece is a fine example of Bactrian craftsmanship from the Hellenistic period. It forms part of the long and rich tradition of stonework and inlay that flourished in this remote region of Western Asia as early as the Early Bronze Age.
Olpe with volute handle
The olpe is made of silver sheet. Its body, shaped like a teardrop, is supported by a low, truncated conical foot; its rounded shoulder tapers into a low, flared neck. With its airy, sinuous outline, the handle lends the vessel an even more elegant shape.
Bottle with Decorations
With no handles, this richly decorated bottle has a spherical yet flattened body, supported by a small ring-shaped base. It was probably used for serving drinks, as a piece of tableware.
Byzantine Terracotta Oil lamp
The shape, style and decoration of this example are typical of lamps produced during the final centuries of the Empire and the early Byzantine period: the most active workshops were located in North African cities, but their
products were often imitated elsewhere, notably in Italy and Gaul.
Skyphos with Linear Decoration
The skyphos is a vessel designed primarily for drinking wine at banquets (symposia): the term refers to a rather deep, elegantly shaped cup with two horizontal handles, which was particularly common in Corinth. It is sometimes also called a kotyle.
Oenochoe with Trilobate Spout
The shape is elegant, with a globular body supported by a circular foot with an elaborate profile, and a long cylindrical neck ending in a smooth rim. The handle is distinctive: at its end, it features a large triangular decorative element, which also provides a comfortable resting place for the thumb whilst pouring.
From the 2nd century AD onwards, the Romans tended to prefer glass vessels of a natural colour (transparent, slightly bluish or green) rather than bright hues, as had been the case at the very beginning of the Imperial period.
Greek Archaic Ionian Lip Cup
The cup (kylix), of medium size but with elegant and harmonious proportions, rests on a tall, hollow stem shaped like a trumpet. The decoration, very elegant and understated, relies solely on a chiaroscuro effect, based on the alternation of lines and areas that are either painted or left unpainted, without figures or plant motifs.
Neolithic Near Eastern Small Stone Jar
This small vessel was carved from a pinkish stone, criss-crossed with reddish-brown veins: the sculptor certainly took particular care in selecting the fragment of stone to work on, so as to make the most of its natural polychromy as decoration.
Small vessels such as the one under consideration, generally of modest size, are among the most characteristic products of the craftsmanship of the Buqras region (Middle Euphrates, present-day Syria), where, during the 7th millennium BC, a Neolithic village developed, whose economy was based on livestock rearing (goats) and agriculture (wheat and barley).
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