Carved from a small limestone monolith, this statuette is certainly one of the first three-dimensional images of elephant in Near Eastern art; moreover, these large mammals were rarely represented in the rich animal iconography of this prominent culture.
Carved from two fragments of dark green stone mottled with light patches (steatite probably), these two objects represent animals with highly stylized and abstract shapes.
This seal, modeled in the shape of a stylized pig (the head is complete, but the body is a simple half-circle), was carved from a cream-colored limestone; it is pierced by a hole and was therefore intended to be worn as a pendant (necklace or bracelet).
The bowl is perfectly turned. The ceramic is beige, but the surface is entirely covered with colored paint. The element that makes this piece a very special, perhaps unique object, is certainly the statuette of the quadruped.
This seal was carved from a whitish limestone with darker undulated veins that give the impression of an artificial decoration, although it is perfectly natural. The object is pierced by a hole in its rounded part and would have therefore been worn on a string round the neck or wrist (necklace or bracelet).