The stele is like a large, almost rectangular slab. It depicts the bust of a woman with a somewhat stiff and impersonal expression, carved in very high relief. The base, the back and the sides are flat and roughly hewn: it is possible that it served as a funerary stele.
Carved from a small limestone monolith, this statuette is certainly one of the first three-dimensional images of elephant in Near Eastern art; moreover, these large mammals were rarely represented in the rich animal iconography of this prominent culture.
The figure, whose gender is not clearly defined (the absence of breasts and the low-detailed shapes would rather suggest a male body), is seated on a cubic stool without any carved details. The torso of the figure is straight, the back is smooth and without details; the legs are simple rods in light relief. The arms of the figure are folded and the triangular hands are brought back to the chest.
Carved from a block of pink limestone, this large bowl with a rounded profile has a slightly asymmetrical shape and an irregular edge, nevertheless highlighted by a band with a thicker relief.
This seal was carved from a whitish limestone with darker undulated veins that give the impression of an artificial decoration, although it is perfectly natural. The object is pierced by a hole in its rounded part and would have therefore been worn on a string round the neck or wrist (necklace or bracelet).