The figure, whose gender is not clearly defined (the absence of breasts and the low-detailed shapes would rather suggest a male body), is seated on a cubic stool without any carved details. The torso of the figure is straight, the back is smooth and without details; the legs are simple rods in light relief. The arms of the figure are folded and the triangular hands are brought back to the chest.
Like almost all Syrian terracotta statuettes dated to this period, this figurine was hand-modeled in a very stylized, almost instinctive manner; it is seated on a simplified stool.
The statuette depicts a standing man, with a mask, which characterizes him as an actor. He is dressed in a large cloak. As it is usually the case at that time for terracotta examples, our figurine was molded in two parts, the front and the back.
The man was lying on the side on a banquet couch (a kline), with an elbow and/or the torso leaning on cushions. Richly dressed, he wears a finely pleated tunic that reaches his feet and whose long sleeves are tight. The short hair entirely uncovers the face.
