Stela representing a Woman
The stele is like a large, almost rectangular slab. It depicts the bust of a woman with a somewhat stiff and impersonal expression, carved in very high relief. The base, the back and the sides are flat and roughly hewn: it is possible that it served as a funerary stele.
Neolithic Near Eastern Small Stone Jar
This small vessel was carved from a pinkish stone, criss-crossed with reddish-brown veins: the sculptor certainly took particular care in selecting the fragment of stone to work on, so as to make the most of its natural polychromy as decoration.
Small vessels such as the one under consideration, generally of modest size, are among the most characteristic products of the craftsmanship of the Buqras region (Middle Euphrates, present-day Syria), where, during the 7th millennium BC, a Neolithic village developed, whose economy was based on livestock rearing (goats) and agriculture (wheat and barley).
Seal in the Shape of a Lion’s Head
Modeled in the shape of a stylized leonine protome (the head is complete, but the body is a simple half-circle representing the mane of the animal), it was carved from a cream-colored limestone veined with red; it is pierced vertically by a hole and was therefore intended to be worn as a pendant (necklace or bracelet).
The flat lower part of the object actually bears the seal of the owner and of his goods: it is adorned with drawings made with a bouterolle (a sort of drill).
Statuette of an Elephant
Carved from a small limestone monolith, this statuette is certainly one of the first three-dimensional images of elephant in Near Eastern art; moreover, these large mammals were rarely represented in the rich animal iconography of this prominent culture.
Seal in the shape of a Pig
This seal, modeled in the shape of a stylized pig (the head is complete, but the body is a simple half-circle), was carved from a cream-colored limestone; it is pierced by a hole and was therefore intended to be worn as a pendant (necklace or bracelet).
Near Eastern Seated Statuette
The figure, whose gender is not clearly defined (the absence of breasts and the low-detailed shapes would rather suggest a male body), is seated on a cubic stool without any carved details. The torso of the figure is straight, the back is smooth and without details; the legs are simple rods in light relief. The arms of the figure are folded and the triangular hands are brought back to the chest.
Sumerian Miniature Jar
This small jar, with a decorative ridge in relief that extends the neck and modifies its proportions, is more elaborate in shape than most other contemporary stone vessels. The perfectly globular body stands on its own despite the absence of base. The lip is flat.
Near Eastern Globular Jar
Such jars are largely documented all throughout the Near Eastern world. Our example is in the shape of a drop; the regular, rounded profile of the body is only interrupted in the upper part by a sharp, thick ridge on the neck. The circular mouth is delineated by a flat, angular lip.
Near Eastern Conical Bowl
In the Near Eastern world, stone vases were considered luxury goods and belonged to high-ranking individuals or to the treasures of sanctuaries: they were used to store valuable materials (ointments, liquids for female toiletry for instance; but also wheat, oils, etc., given the size of the vessel), as ritual vessels for religious cults, as grave goods.
Near Eastern Conical Stone Bowl
Carved from a block of pink limestone, this large bowl with a rounded profile has a slightly asymmetrical shape and an irregular edge, nevertheless highlighted by a band with a thicker relief.
Hemispherical Syrian Limestone Seal with Animals
This seal was carved from a whitish limestone with darker undulated veins that give the impression of an artificial decoration, although it is perfectly natural. The object is pierced by a hole in its rounded part and would have therefore been worn on a string round the neck or wrist (necklace or bracelet).
Sumerian Marble Seal representing a Dog
This animal, which can certainly be identified as a canid is seated with its legs folded under its body, its head raised and directed towards the viewer.he perforation between the legs and the incisions made with a bouterolle indicate that this object served as a personal seal: it would have been worn suspended from the wrist, the neck or the belt, so that it was always available when needed.
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