Statuette of a Dwarf Warrior
Early Imperial Romain Bronze Statuette of a Dwarf Warrior from the 1st-2nd century A.D. The statuette, made of solid bronze, was cast using the lost-wax technique. The statuette, made of solid bronze, was cast using the lost-wax technique. It was attached to its base (of which no trace remains) by a tenon visible beneath the raised foot.
Imperial Romain Bronze Statuette of a Dwarf Silene
from the 1st-2nd century A.D.
In very good condition with superb patina even if the right hand is lost.
He is identified as Silenus by his pointed ears, snub nose, and the wavy incisions on his body, which indicate that he was once hairy. His head is crowned, and in his left hand he holds a bunch of grapes.
Ring with the Bust of Askelpios
The ring is made of solid silver and is hexagonal in shape, but unfortunately the metal has suffered severe corrosion. It is topped by a circular cabochon, cut from a disc of bright red carnelian, which features, carved into its hollow centre, a magnificent male bust: the figure depicted, seen in left profile, is Asclepius, with a youthful appearance.
Applique in the shape of the Bust of Herakles
This bronze cast Applique in the shape of the Bust of Herakles is slightly hollow in the lower part. Given its semicircular outline, it is thought to have been part of a bed decoration (fulcrum).
Roman Small Glass Cup (Patella)
This small cup, which belonged to a famous collection of the 19th century, was mold-blown in a transparent glass with an originally bluish tinge.
Used as tableware, these small cups served as drinking vessels but would have also been intended to contain various substances: sauces, spices, other condiments, etc. Produced mainly between the early Flavian period and the early 2nd century A.D., they exist in different versions that vary in the color, in the type of glass, or in details of the shape (shape of the lip, more or less rounded body, etc.).
Roman Amber Glass Perfume Bottle
This example was blown in a gold-amber glass with beautiful and varied white streaks. The slightly asymmetrical shape is characterized by a piriform body, which tapers in the upper part and terminates in a cylindrical neck and a flat lip.
Roman Ribbed Glass Bowl without Handles
This thick-walled bowl is outstanding both for its excellent state of preservation and for its perfect shape. It was molded and pressed in light green glass, while the finish was obtained by polishing and by grinding.
Perfume Flask in the Shape of a Date
Vessels in the shape of dates, which look very realistic with the vertical grooves imitating the wrinkles of the dried fruit, are among the most famous and popular glass vases of the early Imperial period.
Greek Terracotta Statuette of a Standing Actor
The statuette depicts a standing man, with a mask, which characterizes him as an actor. He is dressed in a large cloak. As it is usually the case at that time for terracotta examples, our figurine was molded in two parts, the front and the back.
Grotesque Terracotta Head (perhaps a Mime or an Actor)
The statuettes of “grotesques” often represented mimes, street actors, music players, dancers, or even street vendors or workers suffering from physical deformities or afflictions that the sculptors treated in an exaggerated manner, to create a caricature-like effect. At the end of the Hellenistic period, in the large urban centers such as Rome and Alexandria, the theatrical genre of pantomime (according to tradition, this genre was created by Sophron of Syracuse in the 5th century B.C. already) was very popular.
Grotesque Mask (Mime or Aulos Player)
This face certainly represents a male figure; it shows some of the distinctive features of the Greek-Roman images known as “grotesque”, such as the big aquiline and pointed nose, the strongly marked, frowning eyebrows and the wrinkled forehead.
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