A small drinking vessel known as a ‘guttus’. It is a small container designed to fill other vessels, such as oil lamps, via its spout located on the body (which is slender and tapered on the vase in question). As its name suggests, the liquid flowed from it only in small quantities or drop by drop.The shape, size and technique thus allow us to date the production of this vase to Magna Graecia, during the first half of the 4th century BC.
A small but charming example of an ‘askos’ form, one of the most significant in Daunian pottery from the early Hellenistic period. Here, the usual wide neck is complemented by a second, symmetrical spout, fitted with a strainer and positioned at the rear of the body.
The scarab is placed on a flat, elliptical base; the bottom has no inscription. Characterized by stylized, though complete and accurate shapes, this beetle shows elegant features that indicate the details of the anatomy.
A medium-sized, perfectly circular phiale, with a low wall. The body is hollow with a very flared rim; it was hammered from a single, thin sheet of silver. The decoration was entirely carried out in repoussé work, chased from inside and/or outside: it is composed of a central medallion (the omphalos) surrounded by a stem of half-moons alternately surmounted by five lotus flowers and five ovolo patterns.
The thymiaterion was a funeral vessel, very rare in the repertoire of Daunian pottery, which was generally used to make offerings and to burn scented substances.
The word askos originally designates the skin of an animal that was sewn and turned into a skin intended to carry liquids, especially wine or water. This example, whose spherical shape with a large vertical neck recalls a wineskin, is a typical production of Daunian ceramists
This statue was cast into a rosy beige clay covered with a white slip. The old woman, is seated on a stool; her face is covered with a grotesque mask and her gaze directed toward the baby she holds in her naked arms.