This piece is a fine example of Bactrian craftsmanship from the Hellenistic period. It forms part of the long and rich tradition of stonework and inlay that flourished in this remote region of Western Asia as early as the Early Bronze Age.
This bronze cast Applique in the shape of the Bust of Herakles is slightly hollow in the lower part. Given its semicircular outline, it is thought to have been part of a bed decoration (fulcrum).
The body, which has a flat, circular base but does not ensure the vessel is well balanced, is hemispherical in shape: it has been carved with great precision. The lid, with its domed profile, depicts the body of a bird in a simple, stylised manner: it features a central, triangular knob and a small side handle, which correspond respectively to the bird’s head and tail.
Greek terracotta figure showing the myth of Europe
Greek terracotta figure showing the myth of Europe
The group comprises two figures: with natural grace, a young woman rides astride a bull that is galloping rapidly towards the viewer’s right. Indeed, the young woman is Europa (the mythological figure after whom our continent is named), who was one of the three daughters of the King of Tyre (a major Phoenician coastal city). She was abducted by Zeus on the beach where she was playing with her sisters: the god appeared to her in the form of a magnificent white bull and carried her, riding the waves of the sea, all the way to Crete.
This core-formed bowl is simply decorated with lathe-cut grooves just below the lip. The base is slightly concave. Towards the end of the Hellenistic period, glass definitely supplanted clay as a raw material for the manufacture of containers in all areas of daily life. With versatility like no other known material in ancient times, abundant availability, lightness and ease of use, glass enabled the imitation of a wide range of other materials (precious metals especially), whether in the form, the design or the color.