Egyptian faience ushabti of Queen Henuttawy
Egyptian, Third Intermediate Period, 21st Dynasty, ca. 1000 B.C.
Depicted mummiform, bright blue in color, with details in black, including the eyes and brows, a fillet in her hair and a hoe in each of her fisted hands, with six rows of hieroglyphs, reading: “Instructions of the Osiris, the Divine Adoratress Henut-tawy, She says: ‘O these shabty!” and continuing with a form of the standard shabti text from Chapter 6 of The Book of the Dead.
The Pendant / Amulet with the Head of Bes
It is in the shape of a small flat bust, with a slightly rounded bottom. At the level of the crown, it is pierced horizontally for a suspension string, which would have allowed the amulet to be worn as a necklace, for example.
Islamic Vessel with Floral Decoration
The vessel, wheel-thrown, is made of light grey-beige clay covered with a white engobe. The decoration appears to be painted in black beneath a magnificent turquoise glaze, which is slightly thicker on the base where it has partially built up.
The technique, form and decoration are characteristic of the highly glossy ceramics produced in the workshops of the city of Kashan, situated in the centre of present-day Iran.
Islamic Earring representing a Bird.
The pendant is a small masterpiece of Islamic jewelry: it combines several materials and crafting techniques common among Near Eastern goldsmiths of the time. This supports a stylized bird figurine, whose plumage is rendered in dark red and black enamel.
Bowl lamp with a high foot
Turned lamp in the shape of a bowl with a pinched nozzle, provided with a tiny round central dish for the lower wick and with a ribbon handle connecting the back of the shoulder to the rim of the central dish.
Our lamp is probably a Near Eastern production dated between the 13th and the 14th century A.D.
Near Eastern Faience Flask
A vase with a distinctive appearance, as its circular body consists of two domed halves, yet its profile is almost flat: the boundary between the two halves is highlighted by a ridge.
Islamic Bowl with Abstract Decoration
A light beige-gray ceramic bowl, covered with a white slip; the decoration is painted in black under a beautiful turquoise glaze, thicker on the bottom where it partially dripped. This manufacturing technique, known as metal luster technique, is among the most important contributions of Islamic craftsmen to the development of ceramics.
Amulet in the shape of a Frog
Made of faience and probably molded, this amulet represents a frog in stylized forms. The arched body has no indication of forelegs, while the hind legs are folded in a W-shape along the body, as if the animal was ready to spring.
Mummy Faience Bead Mask
This mask, delineated by three fringes of white, red and black beads, clearly highlights the anatomical details connected with the senses: the ears, the eyes with the black irises, the nose and the mouth made of red beads.
Roman Small Glass Cup (Patella)
This small cup, which belonged to a famous collection of the 19th century, was mold-blown in a transparent glass with an originally bluish tinge.
Used as tableware, these small cups served as drinking vessels but would have also been intended to contain various substances: sauces, spices, other condiments, etc. Produced mainly between the early Flavian period and the early 2nd century A.D., they exist in different versions that vary in the color, in the type of glass, or in details of the shape (shape of the lip, more or less rounded body, etc.).
Large Bowl (Tell Minis Type)
To the eyes of the modern viewer, this large glazed ceramic bowl is outstanding for its aesthetic qualities resulting from the formal simplicity and the turquoise color.
©Designed by Webgenève - Création de site internet

Rue Etienne Dumont, 9 1204 Geneva
Tel. +4122 301 9378
Email: contact@young-collectors.com