Carved from a small limestone monolith, this statuette is certainly one of the first three-dimensional images of elephant in Near Eastern art; moreover, these large mammals were rarely represented in the rich animal iconography of this prominent culture.
A circular vessel with a rounded profile, an inwardly rolled edge and a small disk-shaped, low foot. The medallion, with its brown background, is decorated in the “champlevé” technique. The animal represented in the tondo is a hare.
The two bracelets, which look very similar but are not identical, are composed of several twisted wires of silver arranged in a semi-circle; they are soldered to two triangular plates that form the ends of the adornment.