Daunian Askos with a Linear Decoration
The word askos originally designates the skin of an animal that was sewn and turned into a skin intended to carry liquids, especially wine or water. This example, whose spherical shape with a large vertical neck recalls a wineskin, is a typical production of Daunian ceramists
Large Chalice with Geometrical Decoration
This vessel, the size of which makes it one of the largest examples currently known, attracts the eye of the modern viewer with its formal and decorative simplicity. It belongs to a group of well-attested ceramics in the so-called Chalcolithic period (the period that precedes the widespread use of metals, particularly copper and, later, bronze), on the sites of modern-day northern Iran.
Seated Terracotta Statuette
Like almost all Syrian terracotta statuettes dated to this period, this figurine was hand-modeled in a very stylized, almost instinctive manner; it is seated on a simplified stool.
Large Ceramic Bowl
This Western Asian Large Ceramic Bowl with painted animals is made of beige ceramic covered with a red slip; the shape is simple, trunconical and without handles; the flat circular base provides the bowl a good balance.
Near Eastern Bowl with the Figurine of a Bull
The bowl is perfectly turned. The ceramic is beige, but the surface is entirely covered with colored paint. The element that makes this piece a very special, perhaps unique object, is certainly the statuette of the quadruped.
Greek Terracotta Statuette of a Standing Actor
The statuette depicts a standing man, with a mask, which characterizes him as an actor. He is dressed in a large cloak. As it is usually the case at that time for terracotta examples, our figurine was molded in two parts, the front and the back.
Grotesque Terracotta Head (perhaps a Mime or an Actor)
The statuettes of “grotesques” often represented mimes, street actors, music players, dancers, or even street vendors or workers suffering from physical deformities or afflictions that the sculptors treated in an exaggerated manner, to create a caricature-like effect. At the end of the Hellenistic period, in the large urban centers such as Rome and Alexandria, the theatrical genre of pantomime (according to tradition, this genre was created by Sophron of Syracuse in the 5th century B.C. already) was very popular.
Grotesque Mask (Mime or Aulos Player)
This face certainly represents a male figure; it shows some of the distinctive features of the Greek-Roman images known as “grotesque”, such as the big aquiline and pointed nose, the strongly marked, frowning eyebrows and the wrinkled forehead.
Group representing a Grotesque Nurse and her Baby
This statue was cast into a rosy beige clay covered with a white slip. The old woman, is seated on a stool; her face is covered with a grotesque mask and her gaze directed toward the baby she holds in her naked arms.
Western Asian Long-Spouted Jug
A large dark brown-black terracotta vessel, certainly fired in a reducing atmosphere. It is equipped with a small handle and with a long gutter-shaped spout.
Small Mycenaean Pear-Shaped Jar
Skillfully wheel-made vessel provided with three handles that were modeled separately and applied to the shoulder before the firing process.
This vessel with a sinuous profile and a circular, narrow base is very characteristic of Mycenaean culture: it is the reduced version of the large jars that can often be found in tombs and that would have served for the storage of the products used during funerary rituals.
©Designed by Webgenève - Création de site internet

Rue Etienne Dumont, 9 1204 Geneva
Tel. +4122 301 9378
Email: contact@young-collectors.com