The stele is like a large, almost rectangular slab. It depicts the bust of a woman with a somewhat stiff and impersonal expression, carved in very high relief. The base, the back and the sides are flat and roughly hewn: it is possible that it served as a funerary stele.
Greco-Roman molded glass statuette / amulet of a crouching woman from the 3rd century B.C. – 2nd century A.D. Complete and in good condition despite few chips and cracks.
It depicts a completely nude female figure, seen from the front and portrayed in a very distinctive pose: she is crouching, but only her feet, resting flat on the ground, touch the floor.
This statuette belongs to a significant series of figurines with similar characteristics originating from the Phoenician and Punic worlds. Generally dated to the 7th–6th centuries B.C., they may be standing or seated, holding a child or various attributes (musical instruments, a fan, ears of grain, etc.) or simply holding their breast or belly: in the latter case, they are often called dea gravida
Levantine terracotta Group of two feminine statuettes from the 7th-6th century B.C. Complete and in good condition. Big chips on the basis. Concretion and few polychromy remains (brown-red).
This group belongs to a significant series of figurines with similar characteristics originating from the Phoenician and Punic worlds. Generally dated to the 7th–6th centuries B.C., they may be standing or seated, carrying a child or various attributes (musical instruments, a fan, ears of grain, brooches, etc.) or simply holding their breast or belly: in the latter case, they are often called dea gravida.
This statue was cast into a rosy beige clay covered with a white slip. The old woman, is seated on a stool; her face is covered with a grotesque mask and her gaze directed toward the baby she holds in her naked arms.