Statue in T Symbol
Mycenaean Terracotta Statuette in T Symbol from the 14th-13th century B.C.
This statuette, the lower part of which is hollow, was modelled by hand. It
depicts a slender, graceful woman with rather abstract features. It was from the end of the 15th century BCE that figurines of this type began to appear in Mycenaean dwellings, tombs and sanctuaries.
Oenochoe with Trilobate Spout
The shape is elegant, with a globular body supported by a circular foot with an elaborate profile, and a long cylindrical neck ending in a smooth rim. The handle is distinctive: at its end, it features a large triangular decorative element, which also provides a comfortable resting place for the thumb whilst pouring.
From the 2nd century AD onwards, the Romans tended to prefer glass vessels of a natural colour (transparent, slightly bluish or green) rather than bright hues, as had been the case at the very beginning of the Imperial period.
Les deux bracelets, à section circulaire, appartenaient probablement à la même parure.
Ils sont constitués d’un épais fi l de verre transparent bleuté, enroulé sur lui-même, auquel le verrier a incorporé des fi ls plus minces, de couleurs blanc, jaune et rouge foncé. La soudure de chaque bracelet est bien visible puisqu’elle provoque un léger enfl ement dans la section.
Greek Archaic Ionian Lip Cup
The cup (kylix), of medium size but with elegant and harmonious proportions, rests on a tall, hollow stem shaped like a trumpet. The decoration, very elegant and understated, relies solely on a chiaroscuro effect, based on the alternation of lines and areas that are either painted or left unpainted, without figures or plant motifs.
Neolithic Near Eastern Small Stone Jar
This small vessel was carved from a pinkish stone, criss-crossed with reddish-brown veins: the sculptor certainly took particular care in selecting the fragment of stone to work on, so as to make the most of its natural polychromy as decoration.
Small vessels such as the one under consideration, generally of modest size, are among the most characteristic products of the craftsmanship of the Buqras region (Middle Euphrates, present-day Syria), where, during the 7th millennium BC, a Neolithic village developed, whose economy was based on livestock rearing (goats) and agriculture (wheat and barley).
Applique in the shape of the Bust of Herakles
This bronze cast Applique in the shape of the Bust of Herakles is slightly hollow in the lower part. Given its semicircular outline, it is thought to have been part of a bed decoration (fulcrum).
Islamic Vessel with Floral Decoration
The vessel, wheel-thrown, is made of light grey-beige clay covered with a white engobe. The decoration appears to be painted in black beneath a magnificent turquoise glaze, which is slightly thicker on the base where it has partially built up.
The technique, form and decoration are characteristic of the highly glossy ceramics produced in the workshops of the city of Kashan, situated in the centre of present-day Iran.
Pyxis with Bird-Shaped Lid
The body, which has a flat, circular base but does not ensure the vessel is well balanced, is hemispherical in shape: it has been carved with great precision. The lid, with its domed profile, depicts the body of a bird in a simple, stylised manner: it features a central, triangular knob and a small side handle, which correspond respectively to the bird’s head and tail.
Neolithic Polished Axehead
The axe was carved from a long, slender flake of stone, of a uniform, almost black colour. Its shape resembles that of a teardrop, with one end being thinner and almost pointed, whilst the other (which forms the cutting edge) has a distinctly arched profile, but appears never to have been sharpened.
Islamic Earring representing a Bird.
The pendant is a small masterpiece of Islamic jewelry: it combines several materials and crafting techniques common among Near Eastern goldsmiths of the time. This supports a stylized bird figurine, whose plumage is rendered in dark red and black enamel.
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