Daunian Askos with a Linear Decoration
The word askos originally designates the skin of an animal that was sewn and turned into a skin intended to carry liquids, especially wine or water. This example, whose spherical shape with a large vertical neck recalls a wineskin, is a typical production of Daunian ceramists
Large Chalice with Geometrical Decoration
This vessel, the size of which makes it one of the largest examples currently known, attracts the eye of the modern viewer with its formal and decorative simplicity. It belongs to a group of well-attested ceramics in the so-called Chalcolithic period (the period that precedes the widespread use of metals, particularly copper and, later, bronze), on the sites of modern-day northern Iran.
Phrygian Bronze Cup
This bronze cast vessel was polished, while the handles and decorations were hammered and/or decorated in repoussé.
Islamic Bowl with Abstract Decoration
A light beige-gray ceramic bowl, covered with a white slip; the decoration is painted in black under a beautiful turquoise glaze, thicker on the bottom where it partially dripped. This manufacturing technique, known as metal luster technique, is among the most important contributions of Islamic craftsmen to the development of ceramics.
Ex-Voto in the shape of a Female Head
This veiled female head is carved in very high relief on the plaque, whose edges are curved. The two vertical edges, visible in the lower plaque, indicate the borders of the veil. Such protomes were largely widespread in the Greek world, in Attic but also in Eastern Greece and in the Western colonies, between the 6th and the early 5th century B.C.
Amulet in the shape of a Frog
Made of faience and probably molded, this amulet represents a frog in stylized forms. The arched body has no indication of forelegs, while the hind legs are folded in a W-shape along the body, as if the animal was ready to spring.
Mummy Faience Bead Mask
This mask, delineated by three fringes of white, red and black beads, clearly highlights the anatomical details connected with the senses: the ears, the eyes with the black irises, the nose and the mouth made of red beads.
Roman Small Glass Cup (Patella)
This small cup, which belonged to a famous collection of the 19th century, was mold-blown in a transparent glass with an originally bluish tinge.
Used as tableware, these small cups served as drinking vessels but would have also been intended to contain various substances: sauces, spices, other condiments, etc. Produced mainly between the early Flavian period and the early 2nd century A.D., they exist in different versions that vary in the color, in the type of glass, or in details of the shape (shape of the lip, more or less rounded body, etc.).
Roman Amber Glass Perfume Bottle
This example was blown in a gold-amber glass with beautiful and varied white streaks. The slightly asymmetrical shape is characterized by a piriform body, which tapers in the upper part and terminates in a cylindrical neck and a flat lip.
Near Eastern Seated Statuette
The figure, whose gender is not clearly defined (the absence of breasts and the low-detailed shapes would rather suggest a male body), is seated on a cubic stool without any carved details. The torso of the figure is straight, the back is smooth and without details; the legs are simple rods in light relief. The arms of the figure are folded and the triangular hands are brought back to the chest.
Roman Kohl Container
This blown glass bottle is transparent, but shows pale gray shades. The patina adds a beautiful polychromy ranging from gold to violet-blue, whose appearance depends on the light.
Shield-Shaped Anatolian Idol
The figurine is flat and slightly rounded. The shield-shaped outline, typical of these idols known as “schematic”, probably represents the silhouette of a seated human body, but without any volume.
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