Large Bowl (Tell Minis Type)
To the eyes of the modern viewer, this large glazed ceramic bowl is outstanding for its aesthetic qualities resulting from the formal simplicity and the turquoise color.
Perfume Flask in the Shape of a Date
Vessels in the shape of dates, which look very realistic with the vertical grooves imitating the wrinkles of the dried fruit, are among the most famous and popular glass vases of the early Imperial period.
White-glazed Egyptian Faience Ushabti (Dynasty 21-22)
This ushabti represents a male figure with a short false beard and a rounded wig, only painted on the front part of the statuette. From the late New Kingdom on, the iconography and the purpose of the ushabtis were standardized: from substitutes for the deceased, these figurines became slaves and served their masters in the chores of daily life.
Greek Terracotta Statuette of a Standing Actor
The statuette depicts a standing man, with a mask, which characterizes him as an actor. He is dressed in a large cloak. As it is usually the case at that time for terracotta examples, our figurine was molded in two parts, the front and the back.
Grotesque Terracotta Head (perhaps a Mime or an Actor)
The statuettes of “grotesques” often represented mimes, street actors, music players, dancers, or even street vendors or workers suffering from physical deformities or afflictions that the sculptors treated in an exaggerated manner, to create a caricature-like effect. At the end of the Hellenistic period, in the large urban centers such as Rome and Alexandria, the theatrical genre of pantomime (according to tradition, this genre was created by Sophron of Syracuse in the 5th century B.C. already) was very popular.
Grotesque Mask (Mime or Aulos Player)
This face certainly represents a male figure; it shows some of the distinctive features of the Greek-Roman images known as “grotesque”, such as the big aquiline and pointed nose, the strongly marked, frowning eyebrows and the wrinkled forehead.
Group representing a Grotesque Nurse and her Baby
This statue was cast into a rosy beige clay covered with a white slip. The old woman, is seated on a stool; her face is covered with a grotesque mask and her gaze directed toward the baby she holds in her naked arms.
Western Asian Long-Spouted Jug
A large dark brown-black terracotta vessel, certainly fired in a reducing atmosphere. It is equipped with a small handle and with a long gutter-shaped spout.
Small Mycenaean Pear-Shaped Jar
Skillfully wheel-made vessel provided with three handles that were modeled separately and applied to the shoulder before the firing process.
This vessel with a sinuous profile and a circular, narrow base is very characteristic of Mycenaean culture: it is the reduced version of the large jars that can often be found in tombs and that would have served for the storage of the products used during funerary rituals.
Sumerian Miniature Jar
This small jar, with a decorative ridge in relief that extends the neck and modifies its proportions, is more elaborate in shape than most other contemporary stone vessels. The perfectly globular body stands on its own despite the absence of base. The lip is flat.
Near Eastern Globular Jar
Such jars are largely documented all throughout the Near Eastern world. Our example is in the shape of a drop; the regular, rounded profile of the body is only interrupted in the upper part by a sharp, thick ridge on the neck. The circular mouth is delineated by a flat, angular lip.
Hemispherical Stone Seal
Carved from a small yellowish beige pebble irregularly speckled with red, this seal is a small cylinder with a smooth and well-polished surface.
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