Roman Kohl Container
This blown glass bottle is transparent, but shows pale gray shades. The patina adds a beautiful polychromy ranging from gold to violet-blue, whose appearance depends on the light.
Shield-Shaped Anatolian Idol
The figurine is flat and slightly rounded. The shield-shaped outline, typical of these idols known as “schematic”, probably represents the silhouette of a seated human body, but without any volume.
Seated Terracotta Statuette
Like almost all Syrian terracotta statuettes dated to this period, this figurine was hand-modeled in a very stylized, almost instinctive manner; it is seated on a simplified stool.
Large Ceramic Bowl
This Western Asian Large Ceramic Bowl with painted animals is made of beige ceramic covered with a red slip; the shape is simple, trunconical and without handles; the flat circular base provides the bowl a good balance.
Pair of Silver Bracelets
The two bracelets, which look very similar but are not identical, are composed of several twisted wires of silver arranged in a semi-circle; they are soldered to two triangular plates that form the ends of the adornment.
Near Eastern Bowl with the Figurine of a Bull
The bowl is perfectly turned. The ceramic is beige, but the surface is entirely covered with colored paint. The element that makes this piece a very special, perhaps unique object, is certainly the statuette of the quadruped.
Roman Ribbed Glass Bowl without Handles
This thick-walled bowl is outstanding both for its excellent state of preservation and for its perfect shape. It was molded and pressed in light green glass, while the finish was obtained by polishing and by grinding.
Large Bowl (Tell Minis Type)
To the eyes of the modern viewer, this large glazed ceramic bowl is outstanding for its aesthetic qualities resulting from the formal simplicity and the turquoise color.
Perfume Flask in the Shape of a Date
Vessels in the shape of dates, which look very realistic with the vertical grooves imitating the wrinkles of the dried fruit, are among the most famous and popular glass vases of the early Imperial period.
White-glazed Egyptian Faience Ushabti (Dynasty 21-22)
This ushabti represents a male figure with a short false beard and a rounded wig, only painted on the front part of the statuette. From the late New Kingdom on, the iconography and the purpose of the ushabtis were standardized: from substitutes for the deceased, these figurines became slaves and served their masters in the chores of daily life.
Greek Terracotta Statuette of a Standing Actor
The statuette depicts a standing man, with a mask, which characterizes him as an actor. He is dressed in a large cloak. As it is usually the case at that time for terracotta examples, our figurine was molded in two parts, the front and the back.
Grotesque Terracotta Head (perhaps a Mime or an Actor)
The statuettes of “grotesques” often represented mimes, street actors, music players, dancers, or even street vendors or workers suffering from physical deformities or afflictions that the sculptors treated in an exaggerated manner, to create a caricature-like effect. At the end of the Hellenistic period, in the large urban centers such as Rome and Alexandria, the theatrical genre of pantomime (according to tradition, this genre was created by Sophron of Syracuse in the 5th century B.C. already) was very popular.
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