This bronze cast Applique in the shape of the Bust of Herakles is slightly hollow in the lower part. Given its semicircular outline, it is thought to have been part of a bed decoration (fulcrum).
The Seal in the Shape of a Lion’s Head, modeled in the shape of a stylized leonine protome, was carved from a cream-colored limestone veined with red.
Carved from a small limestone monolith, this statuette is certainly one of the first three-dimensional images of elephant in Near Eastern art; moreover, these large mammals were rarely represented in the rich animal iconography of this prominent culture.
This small, beautiful object is composed of two elements: a parallelepiped that serves as a base for two statuettes of young bulls, whose bodies are merged together and placed head to toe.
Carved from two fragments of dark green stone mottled with light patches (steatite probably), these two objects represent animals with highly stylized and abstract shapes.
This seal, modeled in the shape of a stylized pig was carved from a cream-colored limestone.
Although conveying a certain charm, typical of traditional folk art rather than formal representations, this statuette shows highly stylized and naive shapes which do not totally lighten the strength of the rectangular block of stone.
The figurine is flat and slightly rounded. The shield-shaped outline, typical of these idols known as “schematic”, probably represents the silhouette of a seated human body, but without any volume.
Like almost all Syrian terracotta statuettes dated to this period, this figurine was hand-modeled in a very stylized, almost instinctive manner; it is seated on a simplified stool.
The statuette depicts a standing man, with a mask, which characterizes him as an actor. He is dressed in a large cloak. As it is usually the case at that time for terracotta examples, our figurine was molded in two parts, the front and the back.
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