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Skyphos with Linear Decoration
The skyphos is a vessel designed primarily for drinking wine at banquets (symposia): the term refers to a rather deep, elegantly shaped cup with two horizontal handles, which was particularly common in Corinth. It is sometimes also called a kotyle.
Oenochoe with Trilobate Spout
The shape is elegant, with a globular body supported by a circular foot with an elaborate profile, and a long cylindrical neck ending in a smooth rim. The handle is distinctive: at its end, it features a large triangular decorative element, which also provides a comfortable resting place for the thumb whilst pouring.
From the 2nd century AD onwards, the Romans tended to prefer glass vessels of a natural colour (transparent, slightly bluish or green) rather than bright hues, as had been the case at the very beginning of the Imperial period.
Greek Archaic Ionian Lip Cup
The cup (kylix), of medium size but with elegant and harmonious proportions, rests on a tall, hollow stem shaped like a trumpet. The decoration, very elegant and understated, relies solely on a chiaroscuro effect, based on the alternation of lines and areas that are either painted or left unpainted, without figures or plant motifs.
Neolithic Near Eastern Small Stone Jar
This small vessel was carved from a pinkish stone, criss-crossed with reddish-brown veins: the sculptor certainly took particular care in selecting the fragment of stone to work on, so as to make the most of its natural polychromy as decoration.
Small vessels such as the one under consideration, generally of modest size, are among the most characteristic products of the craftsmanship of the Buqras region (Middle Euphrates, present-day Syria), where, during the 7th millennium BC, a Neolithic village developed, whose economy was based on livestock rearing (goats) and agriculture (wheat and barley).
Islamic Vessel with Floral Decoration
The vessel, wheel-thrown, is made of light grey-beige clay covered with a white engobe. The decoration appears to be painted in black beneath a magnificent turquoise glaze, which is slightly thicker on the base where it has partially built up.
The technique, form and decoration are characteristic of the highly glossy ceramics produced in the workshops of the city of Kashan, situated in the centre of present-day Iran.
Pyxis with Bird-Shaped Lid
The body, which has a flat, circular base but does not ensure the vessel is well balanced, is hemispherical in shape: it has been carved with great precision. The lid, with its domed profile, depicts the body of a bird in a simple, stylised manner: it features a central, triangular knob and a small side handle, which correspond respectively to the bird’s head and tail.
Bowl lamp with a high foot
Turned lamp in the shape of a bowl with a pinched nozzle, provided with a tiny round central dish for the lower wick and with a ribbon handle connecting the back of the shoulder to the rim of the central dish.
Our lamp is probably a Near Eastern production dated between the 13th and the 14th century A.D.
Perfume Flask in dark blue color
This cut-glass bottle features a three-dimensional geometric design composed of triangular facets. Its size is typical for this class of small perfume vases. The transparent glass reveals ice-colored reflections.
Perfume Flask in light blue color
This cut-glass bottle features a three-dimensional geometric design composed of triangular facets. Its size is typical for this class of small perfume vases. The transparent glass reveals ice-colored reflections.
Black-Figure Lekythos
This lekythos has a rather stocky, rounded shape. It has a handle that forms a loop above the shoulder. The rim is flared and the neck is cylindrical and elongated. The base is circular and hollow.
Silver Phiale with Repousse Decoration
A medium-sized, perfectly circular phiale, with a low wall. The body is hollow with a very flared rim; it was hammered from a single, thin sheet of silver. The decoration was entirely carried out in repoussé work, chased from inside and/or outside: it is composed of a central medallion (the omphalos) surrounded by a stem of half-moons alternately surmounted by five lotus flowers and five ovolo patterns.
Near Eastern Faience Flask
A vase with a distinctive appearance, as its circular body consists of two domed halves, yet its profile is almost flat: the boundary between the two halves is highlighted by a ridge.
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