Silver Phiale with Repousse Decoration
A medium-sized, perfectly circular phiale, with a low wall. The body is hollow with a very flared rim; it was hammered from a single, thin sheet of silver. The decoration was entirely carried out in repoussé work, chased from inside and/or outside: it is composed of a central medallion (the omphalos) surrounded by a stem of half-moons alternately surmounted by five lotus flowers and five ovolo patterns.
Phrygian Bronze Cup
This bronze cast vessel was polished, while the handles and decorations were hammered and/or decorated in repoussé.
Large Ceramic Bowl
This Western Asian Large Ceramic Bowl with painted animals is made of beige ceramic covered with a red slip; the shape is simple, trunconical and without handles; the flat circular base provides the bowl a good balance.
Near Eastern Bowl with the Figurine of a Bull
The bowl is perfectly turned. The ceramic is beige, but the surface is entirely covered with colored paint. The element that makes this piece a very special, perhaps unique object, is certainly the statuette of the quadruped.
Roman Ribbed Glass Bowl without Handles
This thick-walled bowl is outstanding both for its excellent state of preservation and for its perfect shape. It was molded and pressed in light green glass, while the finish was obtained by polishing and by grinding.
Near Eastern Spouted Bowl
This hemispherical vessel is provided, near the lip, with a horizontal, perfectly cylindrical spout. It is simply decorated with a frieze of zigzag pattern in relief. Despite its reduced size, this vessel is outstanding for its technical precision: all the details of the shape and decoration were carefully executed.
Near Eastern Conical Bowl
In the Near Eastern world, stone vases were considered luxury goods and belonged to high-ranking individuals or to the treasures of sanctuaries: they were used to store valuable materials (ointments, liquids for female toiletry for instance; but also wheat, oils, etc., given the size of the vessel), as ritual vessels for religious cults, as grave goods.
Near Eastern-Sumerian Circular Stone Bowl
A conical bowl, with a perfectly flat circular bottom that provides a good balance to the vessel. Flat and angular lip. The mottled stone, covered with small darker inclusions, gives the surface a unique and original decoration. The vessel has an accurate, perfectly regular shape; it would have been shaped using a potter’s wheel, and hollowed out by drilling.
Near Eastern Conical Stone Bowl
Carved from a block of pink limestone, this large bowl with a rounded profile has a slightly asymmetrical shape and an irregular edge, nevertheless highlighted by a band with a thicker relief.
Hemispherical Green Stone Bowl
Perfectly hemispherical and without lip, this bowl is supported by a small circular base in very low relief that does not provide a good balance.
Hellenistic Small Glass Bowl
This core-formed bowl is simply decorated with lathe-cut grooves just below the lip. The base is slightly concave. Towards the end of the Hellenistic period, glass definitely supplanted clay as a raw material for the manufacture of containers in all areas of daily life. With versatility like no other known material in ancient times, abundant availability, lightness and ease of use, glass enabled the imitation of a wide range of other materials (precious metals especially), whether in the form, the design or the color.
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