The vessel, wheel-thrown, is made of light grey-beige clay covered with a white engobe. The decoration appears to be painted in black beneath a magnificent turquoise glaze, which is slightly thicker on the base where it has partially built up.
The technique, form and decoration are characteristic of the highly glossy ceramics produced in the workshops of the city of Kashan, situated in the centre of present-day Iran.
The pendant is a small masterpiece of Islamic jewelry: it combines several materials and crafting techniques common among Near Eastern goldsmiths of the time. This supports a stylized bird figurine, whose plumage is rendered in dark red and black enamel.
Turned lamp in the shape of a bowl with a pinched nozzle, provided with a tiny round central dish for the lower wick and with a ribbon handle connecting the back of the shoulder to the rim of the central dish.
Our lamp is probably a Near Eastern production dated between the 13th and the 14th century A.D.
This cut-glass bottle features a three-dimensional geometric design composed of triangular facets. Its size is typical for this class of small perfume vases. The transparent glass reveals ice-colored reflections.
This cut-glass bottle features a three-dimensional geometric design composed of triangular facets. Its size is typical for this class of small perfume vases. The transparent glass reveals ice-colored reflections.
A light beige-gray ceramic bowl, covered with a white slip; the decoration is painted in black under a beautiful turquoise glaze, thicker on the bottom where it partially dripped. This manufacturing technique, known as metal luster technique, is among the most important contributions of Islamic craftsmen to the development of ceramics.
To the eyes of the modern viewer, this large glazed ceramic bowl is outstanding for its aesthetic qualities resulting from the formal simplicity and the turquoise color.