Statuette of a women breast-feeding a child
This statuette belongs to a significant series of figurines with similar characteristics originating from the Phoenician and Punic worlds. Generally dated to the 7th–6th centuries B.C., they may be standing or seated, holding a child or various attributes (musical instruments, a fan, ears of grain, etc.) or simply holding their breast or belly: in the latter case, they are often called dea gravida
Group of two feminine statuettes
Levantine terracotta Group of two feminine statuettes from the 7th-6th century B.C. Complete and in good condition. Big chips on the basis. Concretion and few polychromy remains (brown-red).
This group belongs to a significant series of figurines with similar characteristics originating from the Phoenician and Punic worlds. Generally dated to the 7th–6th centuries B.C., they may be standing or seated, carrying a child or various attributes (musical instruments, a fan, ears of grain, brooches, etc.) or simply holding their breast or belly: in the latter case, they are often called dea gravida.
Miniature Feminine Statuette
This Near Easter Terracotta Miniature Feminine Statuette is considered as a Tell Halaf Statuette, as she features their style, typology and technique. It depicts a female figure seated with her knees bent and drawn up towards her body; her arms are wrapped around her enormous breasts.
Hunchback Statuette (?)
Hand-modelled, the sculpture depicts a figure of indeterminate gender, characterised above all by the obvious deformation of its spine: its back forms a large hump, emphasised by the spine, which is slightly raised, and by the rendering of the ribs, painted dark brown. This deformity causes the figure’s torso to lean abnormally forwards and to the left.
Polychrom Askos with two necks
A small but charming example of an ‘askos’ form, one of the most significant in Daunian pottery from the early Hellenistic period. Here, the usual wide neck is complemented by a second, symmetrical spout, fitted with a strainer and positioned at the rear of the body.
Byzantine Terracotta Oil lamp
The shape, style and decoration of this example are typical of lamps produced during the final centuries of the Empire and the early Byzantine period: the most active workshops were located in North African cities, but their
products were often imitated elsewhere, notably in Italy and Gaul.
Islamic Vessel with Floral Decoration
The vessel, wheel-thrown, is made of light grey-beige clay covered with a white engobe. The decoration appears to be painted in black beneath a magnificent turquoise glaze, which is slightly thicker on the base where it has partially built up.
The technique, form and decoration are characteristic of the highly glossy ceramics produced in the workshops of the city of Kashan, situated in the centre of present-day Iran.
Greek terracotta figure showing the myth of Europe
The group comprises two figures: with natural grace, a young woman rides astride a bull that is galloping rapidly towards the viewer’s right. Indeed, the young woman is Europa (the mythological figure after whom our continent is named), who was one of the three daughters of the King of Tyre (a major Phoenician coastal city). She was abducted by Zeus on the beach where she was playing with her sisters: the god appeared to her in the form of a magnificent white bull and carried her, riding the waves of the sea, all the way to Crete.
Large Chalice with Geometrical Decoration
This vessel, the size of which makes it one of the largest examples currently known, attracts the eye of the modern viewer with its formal and decorative simplicity. It belongs to a group of well-attested ceramics in the so-called Chalcolithic period (the period that precedes the widespread use of metals, particularly copper and, later, bronze), on the sites of modern-day northern Iran.
Ex-Voto in the shape of a Female Head
This veiled female head is carved in very high relief on the plaque, whose edges are curved. The two vertical edges, visible in the lower plaque, indicate the borders of the veil. Such protomes were largely widespread in the Greek world, in Attic but also in Eastern Greece and in the Western colonies, between the 6th and the early 5th century B.C.
Seated Terracotta Statuette
Like almost all Syrian terracotta statuettes dated to this period, this figurine was hand-modeled in a very stylized, almost instinctive manner; it is seated on a simplified stool.
Greek Terracotta Statuette of a Standing Actor
The statuette depicts a standing man, with a mask, which characterizes him as an actor. He is dressed in a large cloak. As it is usually the case at that time for terracotta examples, our figurine was molded in two parts, the front and the back.
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