Cup with a pastoral scene
This cup is impressive, particularly because of the thickness of its walls and its weight. The vessel, made of copper cast in a mould, has no handles: its profile is truncated conical and very linear. It rests on a small, solid triangular foot.
The decoration, in very shallow relief, covers the entire available surface. Three bulls, recognisable by the shape of their horns, stand facing to the right of the viewer.
Amulet representing Isis Lactans
Egyptian faience Amulet representing Isis Lactans from the 7th-1st century B.C. Isis is seated on a low-backed, richly ornamented throne. The goddess holds little Horus on her knees, whom she is breastfeeding. She wears a finely braided wig surmounted by a small throne, Isis’s primary attribute. Complete and in good condition even if Horus’ head and the left hand of the goddess are lost.
Statuette of a crouching woman
Greco-Roman molded glass statuette / amulet of a crouching woman from the 3rd century B.C. – 2nd century A.D. Complete and in good condition despite few chips and cracks.
It depicts a completely nude female figure, seen from the front and portrayed in a very distinctive pose: she is crouching, but only her feet, resting flat on the ground, touch the floor.
Statuette of a women breast-feeding a child
This statuette belongs to a significant series of figurines with similar characteristics originating from the Phoenician and Punic worlds. Generally dated to the 7th–6th centuries B.C., they may be standing or seated, holding a child or various attributes (musical instruments, a fan, ears of grain, etc.) or simply holding their breast or belly: in the latter case, they are often called dea gravida
Group of two feminine statuettes
Levantine terracotta Group of two feminine statuettes from the 7th-6th century B.C. Complete and in good condition. Big chips on the basis. Concretion and few polychromy remains (brown-red).
This group belongs to a significant series of figurines with similar characteristics originating from the Phoenician and Punic worlds. Generally dated to the 7th–6th centuries B.C., they may be standing or seated, carrying a child or various attributes (musical instruments, a fan, ears of grain, brooches, etc.) or simply holding their breast or belly: in the latter case, they are often called dea gravida.
Amulet representing the head of Bes
Egyptian faience amulet representing the head of Bes from the 3rd Intermediary Period. Complete and in good condition despite few chips on the crown, the mask and the ears.
Miniature Feminine Statuette
This Near Easter Terracotta Miniature Feminine Statuette is considered as a Tell Halaf Statuette, as she features their style, typology and technique. It depicts a female figure seated with her knees bent and drawn up towards her body; her arms are wrapped around her enormous breasts.
Statuette of a Dwarf Warrior
Early Imperial Romain Bronze Statuette of a Dwarf Warrior from the 1st-2nd century A.D. The statuette, made of solid bronze, was cast using the lost-wax technique. The statuette, made of solid bronze, was cast using the lost-wax technique. It was attached to its base (of which no trace remains) by a tenon visible beneath the raised foot.
Imperial Romain Bronze Statuette of a Dwarf Silene
from the 1st-2nd century A.D.
In very good condition with superb patina even if the right hand is lost.
He is identified as Silenus by his pointed ears, snub nose, and the wavy incisions on his body, which indicate that he was once hairy. His head is crowned, and in his left hand he holds a bunch of grapes.
Hunchback Statuette (?)
Hand-modelled, the sculpture depicts a figure of indeterminate gender, characterised above all by the obvious deformation of its spine: its back forms a large hump, emphasised by the spine, which is slightly raised, and by the rendering of the ribs, painted dark brown. This deformity causes the figure’s torso to lean abnormally forwards and to the left.
Ring with the Bust of Askelpios
The ring is made of solid silver and is hexagonal in shape, but unfortunately the metal has suffered severe corrosion. It is topped by a circular cabochon, cut from a disc of bright red carnelian, which features, carved into its hollow centre, a magnificent male bust: the figure depicted, seen in left profile, is Asclepius, with a youthful appearance.
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