Bottle with Decorations
With no handles, this richly decorated bottle has a spherical yet flattened body, supported by a small ring-shaped base. It was probably used for serving drinks, as a piece of tableware.
Statuette of a Wild Sheep or a Ram
This Statuette of a Wild Sheep or a Ram was carved from a thin stone pebble, which is still partially translucent, despite the current dark and worn appearance of the surface.
Statuette of a Human-Headed Bull
This Statuette of a Human-Headed Bull represents a very popular mythological hybrid figure that was largely widespread in Near Eastern iconography (especially in glyptics) from the Sumerian period, that is the bull with a bearded human head, wearing a headgear (tiara) adorned with a single pair of horns.
Byzantine Terracotta Oil lamp
The shape, style and decoration of this example are typical of lamps produced during the final centuries of the Empire and the early Byzantine period: the most active workshops were located in North African cities, but their
products were often imitated elsewhere, notably in Italy and Gaul.
Skyphos with Linear Decoration
The skyphos is a vessel designed primarily for drinking wine at banquets (symposia): the term refers to a rather deep, elegantly shaped cup with two horizontal handles, which was particularly common in Corinth. It is sometimes also called a kotyle.
Statue in T Symbol
Mycenaean Terracotta Statuette in T Symbol from the 14th-13th century B.C.
This statuette, the lower part of which is hollow, was modelled by hand. It
depicts a slender, graceful woman with rather abstract features. It was from the end of the 15th century BCE that figurines of this type began to appear in Mycenaean dwellings, tombs and sanctuaries.
Oenochoe with Trilobate Spout
The shape is elegant, with a globular body supported by a circular foot with an elaborate profile, and a long cylindrical neck ending in a smooth rim. The handle is distinctive: at its end, it features a large triangular decorative element, which also provides a comfortable resting place for the thumb whilst pouring.
From the 2nd century AD onwards, the Romans tended to prefer glass vessels of a natural colour (transparent, slightly bluish or green) rather than bright hues, as had been the case at the very beginning of the Imperial period.
Les deux bracelets, à section circulaire, appartenaient probablement à la même parure.
Ils sont constitués d’un épais fi l de verre transparent bleuté, enroulé sur lui-même, auquel le verrier a incorporé des fi ls plus minces, de couleurs blanc, jaune et rouge foncé. La soudure de chaque bracelet est bien visible puisqu’elle provoque un léger enfl ement dans la section.
Greek Archaic Ionian Lip Cup
The cup (kylix), of medium size but with elegant and harmonious proportions, rests on a tall, hollow stem shaped like a trumpet. The decoration, very elegant and understated, relies solely on a chiaroscuro effect, based on the alternation of lines and areas that are either painted or left unpainted, without figures or plant motifs.
Neolithic Near Eastern Small Stone Jar
This small vessel was carved from a pinkish stone, criss-crossed with reddish-brown veins: the sculptor certainly took particular care in selecting the fragment of stone to work on, so as to make the most of its natural polychromy as decoration.
Small vessels such as the one under consideration, generally of modest size, are among the most characteristic products of the craftsmanship of the Buqras region (Middle Euphrates, present-day Syria), where, during the 7th millennium BC, a Neolithic village developed, whose economy was based on livestock rearing (goats) and agriculture (wheat and barley).
Applique in the shape of the Bust of Herakles
This bronze cast Applique in the shape of the Bust of Herakles is slightly hollow in the lower part. Given its semicircular outline, it is thought to have been part of a bed decoration (fulcrum).
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