Medieval Bronze Pendant with Enamel and Gilding
Decorated with enamel and gilding, this striking bronze pendant is an excellent example of medieval jewelry. The pendant is in a trefoil shape, each of the lobes outlined in green and red enamel. This shape was one used in the Middle Ages to represent the Christian trinity, with each of the lobes of the trefoil representing a different form of God (the father, son and Holy Spirit).
Ancient Attic Greek Black-Figure Lekythos
This lekythos is a tall vessel with a single handle attached to the broad shoulder terminating in a narrow neck and a rather large, semi-spherical mouth covered in black. The lower part of the body and a circular foot are also painted in black. The neck received a delicate decoration of tendrils of ivy with typical heard-shape leaves and stylized berries; it is separated from the shoulder by a band of tongues. The shoulder has a chain of seven, prominently painted palmettes.
Ancient Corinthian Greek Terracotta Lekanis with Panthers, a Sphinx, and Harpies
The lekanis has twin spurred handles on either side of a shallow footed bowl, decorated by three rows of red pomegranates along the rim and a series of red, black, and clay colored bands below
Ancient Apulian Xenon Ware Oinochoe
A trefoil oinochoe with spreading foot and cylindrical handle, The body painted with a deer and an inverted palmette flanked by scrolls, egg-and-dart on the shoulder.
Ancient Corinthian Terracotta Aryballos with Warriors in combat
Attributed to the Warrior Group
The spherical aryballos depicts two hoplite figures in combat, flanked on one side by a seated sphinx and a horseman on the other. Rosettes and amorphous shapes decorate the remaining planes, with many details painted in red throughout. Tongues adorn the top of the rim and shoulder, zig-zags band along the handle, and a whirl with recessed center features on the underside.
Statuette of a women breast-feeding a child
This statuette belongs to a significant series of figurines with similar characteristics originating from the Phoenician and Punic worlds. Generally dated to the 7th–6th centuries B.C., they may be standing or seated, holding a child or various attributes (musical instruments, a fan, ears of grain, etc.) or simply holding their breast or belly: in the latter case, they are often called dea gravida
Group of two feminine statuettes
Levantine terracotta Group of two feminine statuettes from the 7th-6th century B.C. Complete and in good condition. Big chips on the basis. Concretion and few polychromy remains (brown-red).
This group belongs to a significant series of figurines with similar characteristics originating from the Phoenician and Punic worlds. Generally dated to the 7th–6th centuries B.C., they may be standing or seated, carrying a child or various attributes (musical instruments, a fan, ears of grain, brooches, etc.) or simply holding their breast or belly: in the latter case, they are often called dea gravida.
Ring with the Bust of Askelpios
The ring is made of solid silver and is hexagonal in shape, but unfortunately the metal has suffered severe corrosion. It is topped by a circular cabochon, cut from a disc of bright red carnelian, which features, carved into its hollow centre, a magnificent male bust: the figure depicted, seen in left profile, is Asclepius, with a youthful appearance.
Seal in the Shape of a Lion’s Head
Modeled in the shape of a stylized leonine protome (the head is complete, but the body is a simple half-circle representing the mane of the animal), it was carved from a cream-colored limestone veined with red; it is pierced vertically by a hole and was therefore intended to be worn as a pendant (necklace or bracelet).
The flat lower part of the object actually bears the seal of the owner and of his goods: it is adorned with drawings made with a bouterolle (a sort of drill).
Greek terracotta figure showing the myth of Europe
The group comprises two figures: with natural grace, a young woman rides astride a bull that is galloping rapidly towards the viewer’s right. Indeed, the young woman is Europa (the mythological figure after whom our continent is named), who was one of the three daughters of the King of Tyre (a major Phoenician coastal city). She was abducted by Zeus on the beach where she was playing with her sisters: the god appeared to her in the form of a magnificent white bull and carried her, riding the waves of the sea, all the way to Crete.
Amulet of a standing Bes
As usual, Bes sports a grimacing, grotesque expression, which makes him appear almost hilariously amused and thus portrays him as a positive and benevolent figure: his face is flattened and viewed from the front, with a wrinkled forehead crossed by thick eyebrows, wide-open eyes, a broad, flattened nose, ears reminiscent of a feline’s, and a beard ending in large, spiraling curls.
Black-Figure Lekythos
This lekythos has a rather stocky, rounded shape. It has a handle that forms a loop above the shoulder. The rim is flared and the neck is cylindrical and elongated. The base is circular and hollow.
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