Greek Archaic Ionian Lip Cup
The cup (kylix), of medium size but with elegant and harmonious proportions, rests on a tall, hollow stem shaped like a trumpet. The decoration, very elegant and understated, relies solely on a chiaroscuro effect, based on the alternation of lines and areas that are either painted or left unpainted, without figures or plant motifs.
Neolithic Near Eastern Small Stone Jar
This small vessel was carved from a pinkish stone, criss-crossed with reddish-brown veins: the sculptor certainly took particular care in selecting the fragment of stone to work on, so as to make the most of its natural polychromy as decoration.
Small vessels such as the one under consideration, generally of modest size, are among the most characteristic products of the craftsmanship of the Buqras region (Middle Euphrates, present-day Syria), where, during the 7th millennium BC, a Neolithic village developed, whose economy was based on livestock rearing (goats) and agriculture (wheat and barley).
Applique in the shape of the Bust of Herakles
This bronze cast Applique in the shape of the Bust of Herakles is slightly hollow in the lower part. Given its semicircular outline, it is thought to have been part of a bed decoration (fulcrum).
Islamic Vessel with Floral Decoration
The vessel, wheel-thrown, is made of light grey-beige clay covered with a white engobe. The decoration appears to be painted in black beneath a magnificent turquoise glaze, which is slightly thicker on the base where it has partially built up.
The technique, form and decoration are characteristic of the highly glossy ceramics produced in the workshops of the city of Kashan, situated in the centre of present-day Iran.
Pyxis with Bird-Shaped Lid
The body, which has a flat, circular base but does not ensure the vessel is well balanced, is hemispherical in shape: it has been carved with great precision. The lid, with its domed profile, depicts the body of a bird in a simple, stylised manner: it features a central, triangular knob and a small side handle, which correspond respectively to the bird’s head and tail.
Neolithic Polished Axehead
The axe was carved from a long, slender flake of stone, of a uniform, almost black colour. Its shape resembles that of a teardrop, with one end being thinner and almost pointed, whilst the other (which forms the cutting edge) has a distinctly arched profile, but appears never to have been sharpened.
Islamic Earring representing a Bird.
The pendant is a small masterpiece of Islamic jewelry: it combines several materials and crafting techniques common among Near Eastern goldsmiths of the time. This supports a stylized bird figurine, whose plumage is rendered in dark red and black enamel.
Seal in the Shape of a Lion’s Head
Modeled in the shape of a stylized leonine protome (the head is complete, but the body is a simple half-circle representing the mane of the animal), it was carved from a cream-colored limestone veined with red; it is pierced vertically by a hole and was therefore intended to be worn as a pendant (necklace or bracelet).
The flat lower part of the object actually bears the seal of the owner and of his goods: it is adorned with drawings made with a bouterolle (a sort of drill).
Statuette of an Elephant
Carved from a small limestone monolith, this statuette is certainly one of the first three-dimensional images of elephant in Near Eastern art; moreover, these large mammals were rarely represented in the rich animal iconography of this prominent culture.
Statuette of two seated young bulls
This small, beautiful object is composed of two elements: a parallelepiped that serves as a base for two statuettes of young bulls, whose bodies are merged together and placed head to toe. The animals are seated on the floor, their legs folded under their bodies. In spite of the stylization of the figurines, partly related to their miniature size, the artist skillfully rendered the proportions, the position and anatomy of the bulls. The delicate expression of their muzzle and their somewhat thick appearance certainly tend to imitate the naivety and clumsiness of a young animal.
Byzantine stone animal: double-headed
Carved from two fragments of dark green stone mottled with light patches (steatite probably), these two objects represent animals with highly stylized and abstract shapes.
Twisted bracelet
This beautiful gold bracelet is embellished by a circular bezel set with an agate. It is composed of a thick, twisted gold wire and of a circular, trapezoidal bezel, which is remarkable both for its width and for its height: this bezel is attached to the bracelet by an elaborate hinge system
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